Beethoven's Symphony No. 5

Beethoven’s Symphony No. 5 04/27/2010 at 07:00 PM – Peter Norton Symphony Space program subject to change Concert Notes

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Beethoven's Symphony No. 4

Beethoven’s Symphony No. 4 04/25/2010 at 04:00 PM – Peter Norton Symphony Space program subject to change Concert Notes

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Beethoven No. 4 & 5 (2nd night)

Beethoven No. 4 & 5 (2nd night) 04/24/2010 at 08:00 PM – Richard B. Fisher Center for the Performing Arts LUDVIG VAN BEETHOVEN (1770 – 1827) Beethoven, Symphony No. 4 in B flat Major (1806) Beethoven, 5th Symphony No. 5 in C Minor (1807-1808) DIMITRI SHOSTAKOVICH (1906-1975) Cello Concerto, No. 3 (1959) Concert Notes

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Beethoven No. 4 & 5

Beethoven No. 4 & 5 04/23/2010 at 08:00 PM – Richard B. Fisher Center for the Performing Arts LUDVIG VAN BEETHOVEN (1770 – 1827) Beethoven, Symphony No. 4 in B flat Major (1806) Beethoven, 5th Symphony No. 5 in C Minor (1807-1808) DIMITRI SHOSTAKOVICH (1906-1975) Cello Concerto No. 1 (1959) Concert Notes

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Robert Schumann: Scenes From Goethe's Faust

Robert Schumann: Scenes From Goethe’s Faust 04/09/2010 at 08:00 PM – Avery Fisher Hall, Lincoln Center The greatest poetic rendering of the story of the man who sells his soul to the devil, set to music by a composer who knew very well what it is like to be haunted by demons. On the occasion of…

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Robert Schumann

Robert Schumann By Leon Botstein Written for the concert Robert Schumann: Scenes from Goethe’s Faust (1853), performed on April 9, 2010 at Avery Fisher Hall at Lincoln Center. Robert Schumann was perhaps the first in a long line of great nineteenth- and twentieth-century composers whose ambitions were as much literary as they were musical. One…

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Robert Schumann, Szenen aus Goethes Faust

Robert Schumann, Szenen aus Goethes Faust By Paul Griffiths Written for the concert Robert Schumann: Scenes from Goethe’s Faust (1853), performed on April 9, 2010 at Avery Fisher Hall at Lincoln Center. In October 1838, at a funeral mass in Vienna where Mozart’s Requiem was being performed, Schumann found himself standing next to the composer’s…

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