Weber & Berlioz: Der Freischütz Reimagined

The first performance of Carl Maria von Weber’s Der Freischütz in Berlin, on June 18, 1821, was one of the most memorable first performances in the history of music in the 19th and 20th centuries; it can be properly compared to the Paris premiere of Stravinsky’s ballet, The Rite of Spring, in 1913. In Berlin,…

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Der Freischütz Reimagined

Carl Maria von Weber (1786–1826) Le Freyschütz Composed 1817–1821 Arr. Hector Berlioz, 1841 The libretto by Johann Friedrich Kind (1768–1843) was based on a story by Johann August Apel and Friedrich Laun, with french with lyrics translated by Émilien Pacini and Hector Berlioz, and recitatives composed by Berlioz replacing the original work’s spoken dialogue. Premiere: The…

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Forging an American Musical Identity

Dudley Buck Born March 10, 1839, in Hartford, Connecticut Died October 6, 1909, in West Orange, New Jersey Festival Overture on the American National Air Composed 1879 Premiered July 4, 1879 at Manhattan Beach, Coney Island, New York Performance Time: Approximately 7 minutes A native of Hartford, Connecticut, Dudley Buck taught himself to play the…

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Forging an American Musical Identity

The history of classical music for the concert hall and the opera stage in the US mirrors the complex crosscurrents and tensions that have characterized the history of the nation since its founding in 1776. The “New World,” the land on which the US was established, was neither new nor uninhabited when Europeans arrived between…

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Requiem & Revelation

Peter Cornelius Born December 24, 1824, in Mainz, Germany Died October 26, 1874, in Mainz, Germany Stabat Mater Composed 1848-49 Premiered on August 11, 1929 in Salzburg, Austria Conducted by Joseph Messner Performance Time: Approximately 43 minutes In 1906 a columnist for The Musical Times lamented that Peter Cornelius’s life was “the usual story of…

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Requiem & Revelation

Today’s concert at St. Bartholomew’s brings to light, with live performance, two sacred works from the first half of the nineteenth century. The earlier work—the Cherubini Requiem from 1816 closes our concert. However, it provides a foundation for understanding the character and place of sacred music during the Romantic era. The conventional account of the…

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New York Profiles

Julia Perry Born March 25, 1924 in Lexington, KY Died April 24, 1979 in Akron, OH A Short Piece for Small Orchestra Composed 1952 Premiered in 1952 in Turin, Italy Conducted by Dean Dixon Performance Time: Approximately 6 minutes In a 1986 article, the celebrated African-American composer Olly Wilson observed that many Black composers create…

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New York Profiles

The American Symphony Orchestra is honored and pleased once again to be part of the open-air concert programs in Bryant Park, right next to the glorious New York Public Library. Today’s concert addresses a habit to which we have become accustomed: assigning unique national characteristics to facets of our culture. It seems entirely understandable that…

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Richard Strauss: Guntram, Op. 25

Richard Strauss (1864-1949) Born June 11, 1864 in Munich, Germany Died September 8, 1949 in Garmisch-Partenkirchen, Germany Guntram, Op. 25 Composed 1887–1893; rev. 1939 Premiered on May 10, 1894 at the Grossherzoglichen Hoftheater in Weimar, conducted by Richard Strauss Performance Time: Approximately 2 hours and 15 minutes Richard Strauss’s operatic legacy of 14 operas in…

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Strauss’s Guntram

The American Symphony Orchestra (ASO) is honored and pleased to be able to mount this concert performance of Richard Strauss’s first opera, Guntram, which the composer completed in 1893. I am particularly delighted that Bryan Gilliam, who, in my opinion, is the finest Strauss scholar working today, has written the program notes for this performance.…

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