Concerts
A Salute to America’s Jazz Royalty: The Count, The Duke and The King
A truly American genre, the ASO presented this jazz ensemble as a salute to America’s jazz royalty: New Jersey-native jazz pianist, organist, and composer Count Basie, considered one of the all-time greatest bandleaders; singer and jazz pianist Nat King Cole, the first Black American to host a TV variety show; and Duke Ellington, whose totally…
Read MoreUnited We Play
United We Play is a short film inspired by the current turbulent times, and the belief that strength comes through adversity—where there is divide, there is also community. The project combines the talents of Marcus Roberts, The Modern Jazz Generation, and the ASO’s string section in a musical, visual, and narrative digital experience that speaks…
Read MoreThe Miracle of Heliane
Set in an unnamed totalitarian state, The Miracle of Heliane (Das Wunder der Heliane) features an intricate, erotic triangle between a ruthless despot, The Ruler; his beautiful and neglected wife, Heliane; and a young, messianic Stranger. An allegorical tale, about the destruction of a dictatorship by a woman, Heliane premiered to great acclaim in Hamburg in 1927, and remains…
Read MoreComposer in Context: Carl Maria von Weber
In collaboration with Bard’s Fisher Center, ASO Online illuminates the work of German Romantic composer Carl Maria von Weber, featuring his Symphony No. 1 in C Major, Op. 1 and Bard SummerScape Opera: Euryanthe. Carl Maria von Weber’s short life was marked by many lows—frequent illnesses, an arrest on embezzlement and other charges—but he also…
Read MoreDimitrij
A great nation in turmoil after the abrupt end to a ruling dynasty leaving no clear path forward. This was Russia in the Time of Troubles, the seventeenth-century period in which Antonín Dvořák set his 1882 opera Dimitrij. A stellar cast along with the Bard Festival Chorale animate this powerful production by Anne Bogart for…
Read MoreDemon
SummerScape’s production of Anton Rubinstein’s operatic masterpiece Demon first premiered to great acclaim in 1871. Although performed frequently in Russia, the work remains something of a rarity in the West today. Conducted by Leon Botstein and directed by the renowned American director Thaddeus Strassberge. Based on the renowned fantasy poem by Mikhail Lermontov, Demon boasts…
Read MoreLe Roi Malgré Lui
A contemporary of Saint-Saëns, Emmanuel Chabrier was an independent-minded and important innovator—many saw him as having paved the way for French modernism. With his comic opera The King in Spite of Himself, he succeeded in creating a sophisticated and forward-looking piece. This stylish and elegant production from the 2012 Bard SummerScape festival as directed by…
Read MoreComposer in Context: Sergey Taneyev
A highly gifted pianist and composer, Taneyev was a protégé and champion of Tchaikovsky’s, serving as a soloist in early performances of the older composer’s piano concertos. Taneyev was one of Russia’s most influential music theorists, teaching for nearly three decades at the Moscow Conservatory where his students included Scriabin, Rachmaninoff, and Glière; Stravinsky later…
Read MoreThe Wreckers
Written by Dame Ethel Smyth, English composer and leader in the women’s suffrage movement, The Wreckers was first performed in Germany in 1906 and was mounted in the composer’s homeland in 1909. This powerful three-act opera about piracy, love, and betrayal in a community of religious fanatics was staged for the first time in the…
Read MoreComposer in Focus: Richard Strauss
One of the most revered Romantic composers of the late 19th and early 20th centuries, Richard Strauss’s symphonic poems and operas remain an indispensable feature of the standard repertoire. This program—which includes the operatic rarity Die Liebe der Danae (The Love of Danae) from the 2011 Bard SummerScape along with various symphonic and choral works—explores the composer’s…
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